Welcome to New Old Glass, the short series where I showcase the vintage (or vintage-ish) gear I’ve convinced myself I absolutely needed. Or, as my watchlist so kindly put it:
“So you finally gave in, huh?”
Today’s spotlight might raise a few eyebrows. It’s the Canon 70-300mm IS USM II, a lens that’s not exactly old—but it’s certainly not new-new either. So technically, that makes it new old glass. It counts.
Canon 70-300mm IS USM II – Quick Specs
| Spec | Details |
|---|---|
| Mount | Canon EF |
| Announced | 2016 |
| Country of Origin | Japan |
| Optical Formula | 17 elements in 12 groups |
| Aperture Blades | 9 |
| Built-in Image Stabilization | Yes |
| Weight | 710g |
| Plastic Rating | ★★★★☆ (not bad at all) |
First Impressions
I’ll be honest—getting my hands on this lens wasn’t exactly easy. It’s surprisingly tricky to find where I live, and with the sheer number of 70–300mm zooms Canon has released over the years, just identifying the right one can be an ordeal.
Pro tip:
If you’re not aware of how many versions exist, Google “Canon 70-300mm” and enjoy the rabbit hole. You’ll find a glorious mess of “amazing,” “great,” “less great,” and… “oh no.”
After digging through that mess, the Canon 70-300mm IS USM II stood out as a solid performer. My research suggested it was a good option—and I’m happy to report, it delivered. It’s sharp, the autofocus is fast, and it feels great to use.
Would I have preferred the L version? Sure.
Could I find one I could afford? Not so much.
So here we are—and honestly, I’m not mad about it.
In the Field: Bird Photography
I’ve been primarily using this lens for bird photography, paired with a Fringer Adapter on a Fuji body, and I’m happy to say: it works. Autofocus plays nice, image quality is solid, and it’s light enough to carry around for a good while.
There are some issues (aren’t there always?), but I’ll cover those in more detail in the full review.
Sample Shots
Here are a few photos I’ve taken using the Canon 70-300mm IS USM II.
Final Thoughts
The Canon 70-300mm IS USM II might not be a true vintage classic, but for New Old Glass, it earns its place. It’s a solid lens, a practical pick for long reach on a budget, and it handles surprisingly well with modern mirrorless bodies via adapter.
Thanks for reading—and if you’ve ever wandered the Canon zoom labyrinth, let me know which one you came out with!
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